#CHROMATIC SCALES HOW TO#
#CHROMATIC SCALES PDF#
#CHROMATIC SCALES SERIES#

It also happens to be a great exercise for developing two of the most fundamental “fingering rules” on the bass: I think of this is a “training wheels” chromatic scale. Approach #1 – Half and First position Chromatic Scale

#CHROMATIC SCALES PDF#

Remember, you can also download all these examples as a PDF if you like. All three will teach you to look at the bass fingerboard in a new way, and I continue to practice all three approaches on a regular basis. Here are my three favorite ways to approach chromatic scales, arranged in order of complexity. When approached intelligently, however, mastering chromatic scales will level up your bass game tremendously, and there are several good entry points that I recommend for beginning and intermediate bassists.

#CHROMATIC SCALES HOW TO#

They can you into unfamiliar positions and, it can be hard to understand how to play them in tune at first.Įven referring to them as “scales” (plural) is misleading since, in reality, there’s just one gigantic chromatic scale from the lowest to highest register for every instrument. They also happen to be one of the most frustrating things for beginners to practice, however.Ĭhromatic scales don’t map neatly onto the bass fingerboard. In so ways, they are the most important scale to practice. I’ve always had a love-hate relationship with chromatic scales. Chromatic Scales are Deceptively Challenging We’ve created a downloadable PDF guide for all of these, and we’ve got a PDF with these chromatic scale exercises for you here as well. So far, we’ve covered one octave major scales, minor scales, and major arpeggios.

#CHROMATIC SCALES SERIES#

Have fun with it.We’re continuing our beginner bass series this week with chromatic scales. Play has to half step below it kind of give you the idea of what it's like to kind of play you know with a chromatic kind of feel to it. So over each one I'm going to take I'm going to take a scale and I'm going to kind of mess around with some chord tones. So I'm going to be major major and then I'm going to $5 right. I'm going to do a one for five and I'm going to do it. So what we're going to do is we're experiment with just exactly that. You'll have to follow or half step behind each one of those chord tones.

You know you just add those little notes in passing you keep going it adds that chromatic movement that chromaticism the other cool thing to do is if you want to play outside but you're not trying to think or you don't know or you just want to you know you just want to do this chromatic kind of feeling is to take a scale you know even something simple just like a regular major scale and you have your shape. So like a lot of times when you play a blues you know you'll be in for my willingness and I might just walk up to it you know. It's a very easy way to create tension and dissonance by playing a lot of things in passing. The main point of chromaticism is to give it that sound you know that bawling or that or the flying up kind of sound. So you know people call it the chromatic scale and I guess I could show you all five patterns of the chromatic scale but it's just every single note.

All whatever and you get that chromatic sound you know that that's chromaticism right. It just basically means you can play any note at any time. What does that mean it just means every single note the whole thing the whole gamut.

Chromatic scales